![]() that's right, there's plenty of trivial human nonsense to be gotten out of the way before we encounter any monsters at all, let alone their king. the sequence was designed by kyle cooper, the man behind the main titles for se7en and every other film with a decent main title sequence, and it neatly reflects the teasing approach taken to revealing big g himself. the opening titles set the tone: over a montage of 1950s atomic bomb tests, the credits appear alongside tantalising snippets of information which are quickly whited out as if by a censor. not only is it an astounding spectacle, it's a proper godzilla movie, spitting atomic fire in the face of roland emmerich's misbegotten 1998 atrocity. ![]() it's a shame, because it's the sort of film you want to be shouting about from the rooftops, and adding niggling little caveats somewhat ruin the effect. ![]() the only female … character with any real agency in gareth edwards' godzilla is a 300-foot monster that eats nuclear submarines. ![]() Reviewed by: max crawford "the eventual climactic monster showdown is everything a godzilla fan could hope for." if you're a film in 2014 and you're still relegating female characters to tragic backstory or hero's moping wife roles, you need to sit down and have a word with yourself. ![]()
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